![]() ![]() The strong and noble must humiliate and conquer their tormentors and destroy their institutions. The modern state, he says, has been designed to empower the feebleminded and the misshapen at the expense of their betters. He considers American cities a “wasteland” run by Jews and Black people, though the words he uses to denote these groups are considerably less genteel than these. He argues that the natural and desirable condition of life is the domination of the weak and ugly by the strong and noble. BAP says this orthodoxy is exactly wrong. America’s civic religion holds that all humans have inherent and equal worth, that they should not be graded according to beauty or nobility, and that they should not aim to destroy one another. It is hard to convey precisely what BAP believes, in part because his views are so outlandish that even when stated simply, they sound like incoherent ranting. He’s an MIT graduate who grew up in Newton, Massachusetts. But I know Bronze Age Pervert, and have known him almost as long as B. He has never shown his face or admitted his real name. His message, delivered in tweets, podcasts, and a self-published book, mixes ultra-far-right politics, unabashed racism, and a deep knowledge of ancient Greece. About the time Novak went on Letterman, the Romanian began posting on social media as “Bronze Age Pervert,” a mad-in-both-senses weirdo who had escaped the Museum of Fine Arts and now aimed to take over the world. (His last known political donation was $1,000 to Hillary Clinton in 2016.) But the Romanian has kept in character, complete with the peevish attitude and hammed-up accent. ![]() The last several minutes were a cha-cha by Tito Puente.Įxit Novak from the stage of American fascism. “This should keep you occupied, you drooling imbecile!” he bellowed at the listeners, by now either amused or complaining to management. He alluded to his “disgusting anatomical abnormalities.” He called his listeners “decadent imperialist maggots” and confessed a desire to smash a glass case with a sledgehammer and “rip scroll to shreds with my teeth, which, by the way, are extremely long and sharp … more like fangs than human teeth.” At last he offered an interlude of “idiot music” while he fumbled with his script. The Romanian soon became opinionated (“Personally,” he said, “I think this painting is a piece of crap”), then deranged. View MoreĪrt lovers must have wondered about the thick Eastern European accent that greeted them, over the twang of a Chinese string instrument. Check out more from this issue and find your next story to read. ![]()
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